Provocations 1: Indigenous Design

“Art is for asking questions. If it’s not asking questions, it’s not doing its job.” Vernon Ah Kee

If art is about asking questions, what is the role of design in telling our story? As designers it’s imperative that we continue to ask ourselves the hard questions. Over the course of 90 minutes Aboriginal artist Vernon Ah Kee will explore identity and appropriation in Indigenous design, as well as the the relationship between art and design.

The first in the Iscariot Media Provocation series, this event is suitable for Indigenous designers, design students, and creative agency professionals.

Event Details:

Date: 7 December, 2016
Venue: Iscariot Media, Suite 4/256 Stafford Road, STAFFORD QLD 4053
Time: 6.30pm – 9.00pm
Cost: Free (places are limited)
Bookings:  https://www.eventbrite.com/e/provocations-1-indigenous-design-tickets-28254280313
Due to limited space bookings are essential.

 

About Vernon Ah Kee

Vernon Ah Kee Indigenous Business Month
Born in Far North Queensland, Vernon Ah Kee is a conceptual artist and a founding member of the Brisbane-based proppaNOW artists’ collective. He has a Bachelor of Visual Arts (Hons) at the Queensland College of Art, Brisbane. Vernon’s work critiques Australian popular culture, particularly the dichotomy between Aboriginal and non-Aboriginal societies and cultures. His art practice consists of video, 3D installation, photography, digital design, painting, printmaking, and drawing.

Vernon represented Australia at the 53rd Venice Biennale in the group exhibition Once Removed (2009). His work was featured in exhibitions such as Culture Warriors: National Indigenous Art Triennial at the National Gallery of Australia (2007); Revolutions-Forms That Turn: 16th Biennale of Sydney (2008); Figuring Landscapes at the Tate Modern, London, UK (2008); Contemporary Australia: Optimism, at the Gallery of Modern Art, Brisbane (2008); Erased: Contemporary Australian Drawing, the National Art School Gallery, Sydney (2009); proppaNOW: Putsch at Tandanya National Aboriginal Cultural Institute, Adelaide (2010) and proppaNOW: The Black See at KickArts Contemporary Arts, Cairns (2011); UnDisclosed: the 2nd National Indigenous Art Triennial at the National Gallery of Australia (2012); Theatre of the World (2012) at the Museum of Old and New Art, Hobart; Volume One: MCA Collection at Museum of Contemporary Art, Sydney (2012); Everything Falls Apart, Part II (2012) at Artspace, Sydney; Insurgence at the Museum of Australian Democracy (2013); Australia at the Royal Academy of Arts, London (2013); My Country: I still call Australia home, Queensland Art Gallery | Gallery of Modern Art, Brisbane (2013); Sakahan: 1st International Quinquennial of New Indigenous Art, National Gallery of Canada (2013).

Solo exhibitions include ill-like at the Kluge-Ruhe Gallery in Charlottesville, USA (2012); tall man at Gertrude Contemporary in Melbourne (2011), Vernon Ah Kee at City Gallery in Wellington, NZ (2010); Waru, Kick Arts Gallery, Cairns (2009); Blow Your House In at Mackenzie Gallery, Regina, Canada (2009); Belief Suspension at ArtSpace, Sydney (2008); and Cant Chant at the Institute of Modern Art, Brisbane (2007) where ‘borninthisskin’ (2009), the first major publication on his work was published.

His work is held in various collections including the National Gallery of Canada, Ottawa; the Hood Museum of Art, Hanover, USA; the National Gallery of Australia, Canberra; National Gallery of Victoria, Melbourne; the Art Gallery of New South Wales, Sydney; the Art Gallery of Western Australia, Perth; the Museum of Contemporary Art, Sydney; the Museum of Old and New Art, Hobart; and the Queensland Art Gallery, Brisbane.

Vernon was a finalist in the 2010 Basil Sellers Art Prize, and the 2012 Archibald Portrait Prize with his portrait of Lex Wotton.

Vernon Ah Kee is represented by Milani Gallery, Brisbane, Australia.